+: 410@ v[[J2s1nY(x1F?F^V,pnhpi|&N.]L*^{F\`\00-KPaoPJ00 @ n` endstream endobj 345 0 obj <>/Filter/FlateDecode/Index[25 274]/Length 31/Size 299/Type/XRef/W[1 1 1]>>stream Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period, and places it in a wider historical context. Explores Australias sporting culture with a focus on race relations and cultural expression. The Final Quarter is the best Australian documentary ever made, A powerful work that stirs deep emotions., It is brilliant work, and a must-watch., A compelling, often devastating, documentary, You dont have to care about football for this movie to hit home., Shark Island Institute acknowledges and pays respect to the past, present and future Traditional Custodians and Elders of Country and the continuation of cultural, spiritual and educational practices of Aboriginal and Torres Strait Islander peoples. Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. 0000009450 00000 n Specialist lessons will achieve the best results when THE FINAL QUARTER documentary is introduced as atopic across the curriculum. Request an update here. The statement also said that the football community "pledged to continue to fight all forms of racism and discrimination, on and off the field". Premiering at the Sydney Film Festival, what a picture The Final Quarter paints; one that as the archival footage emphasises all played out in the public eye under the sizeable gaze of both the country's football media and the popular code's supporters. Directors statement Shark Island Production. As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. Narragunnawali (pronounced narra-gunna-wally) is a word from the language of the Ngunnawal people, Traditional Owners of the land on which Reconciliation Australias Canberra office is located, meaning alive, wellbeing, coming together and peace. [25] It was shown as part of the 2019 Perth International Film Festival and the Castlemaine Documentary Film Festival, both in July 2019,[26] and aired on Network Ten on 18 July 2019. This lesson will be centred around the acclaimed 2019 documentary, The Final Quarter. This despite the nuance with which he spoke about the incident, and his carefulness to lay the blame on her environment, rather than on the girl herself. Student Worksheets one copy per student. They evaluate how genre and media conventions and technical and symbolic elements are manipulated to make representations and meaning. 'The Final Quarter' compiles a selection of opinions from cultural commentators at the time (like Andrew Bolt, Miranda Devine, and Rita Panahi), who present the most common arguments for why people were booing Goodes. The girl phoned to apologise, saying that she hadn't realised the impact of her words. It begins in 2013 when Goodes, at that point a veteran of the game, singled out an opposing teams supporter for calling him an ape during a match. on Mornings with Stephen Ferris was honoured to host Yvonne Sampson of Fox Sports League, and Ian Darling the director of The Final Quarter, a documentary chronicling of the last years of AFL star Adam Goodes' career.. [5], On 24 May 2013, during the AFL's annual Indigenous Round (the Sir Doug Nicholls Round), a 13-year-old Collingwood supporter called Goodes an "ape". Keywords: film, documentary, analysis, analyse, media, The Final Quarter, archival, footage, conventions, Aboriginal and Torres Strait Islander, AFL, footy, football, perspective, point of view, techniques, editing. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. how technical and symbolic codes are used by the director of. The fallout inevitably led to a backlash against the fallout, in a manner familiar to anybody whos cast a cursory glance at online comments sections, in which over-sensitivity is positioned as an existential threat. Cool Australias curriculum team continually reviews and refines our resources to be in line with changes to the Australian Curriculum. 0000067425 00000 n 2022 Shark Island Institute | PrivacyPolicy. 0000005517 00000 n Director Ian Darling wanted to explore what happened and why, and start the conversation about racism in Australia that Adam Goodes asked us to have. Tracy Bentin,Psychologist,MAPS; Grad Dip Applied Child Psych; BBSc (Hons). 0 Qq endstream endobj 309 0 obj <> endobj 310 0 obj <> endobj 311 0 obj <>stream Retired players such as Sam Newman, whose goblin-faced invective bookends the film, reassures Goodes hes being jeered not because hes black, but because hes a jerk. 0000019988 00000 n The impact and outreach campaign is expected to significantly expand in 2020, with a DVD to be given to the principal of every high-school in Australia. On this Wikipedia the language links are at the top of the page across from the article title. Our Watching the Film lessons are designed to support you in facilitating this process. All Rights Reserved. Andrew Bolt, Alan Jones and Sam Newman haunt Ian Darlings film like ranting apparitions. 0000091357 00000 n Learning Through Film, Social Issues, Indigenous Education, Aboriginal and Torres Strait Islander Histories and Cultures (OI.9), The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10, Editing Conventions Seed Discussion Posters, Editing Vocabulary And Archival Documentary Conventions Factsheet, Students understand how technical and symbolic codes are used by the director of. It includes footage of the incidents, as well as interviews and comments from media personalities, politicians, players, officials, and members of the public. Level of teacher scaffolding: Medium introduce new concepts and facilitate discussions and activities. [21][22] The director's statement about the film states that he did not want to explicitly choose a side but instead wanted to present the footage and allow "the audience to see and hear for themselves what had happened, to ask their own questions and to come to their own conclusions". 0000007932 00000 n 0000003937 00000 n We appreciate your feedback. Reconciliation in Education is a program for Reconciliation Australia that supports all schools and early learning services in Australia to develop environments that foster a higher level of knowledge and pride in Aboriginal and Torres Strait Islander histories, cultures and contributions. Given that Adam Goodes retired in 2015, why do you think Shark Island Productions thought it important to share the Adam Goodes story with audiences four years later? 0000006599 00000 n Third party web links are provided for your convenience only. As Darling astutely realised, the footage says it all. Our game is about belonging. subsequently exacerbated the situation by suggesting, in an on-air interview, that Goodes be used to promote the forthcoming stage musicalKing Kong. ay back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. You must be logged in to view this form. 0000001644 00000 n Paul Kelly wrote the end credit song "Every Day My Mother's Voice" for the film, and won Best Original Song Composed for the Screen, 2019 Screen Music Awards. [18][19], The documentary uses only archival footage and newspaper headlines from the last few years of Goodes' career, with no new interviews or footage. 0000008940 00000 n The Final Quarter - Listening To Community - Years 7-9 Subscribe for full access to The Hollywood Reporter, Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.'. See a snapshot of media articles here: Additional assets have had high engagement including 944 Screening Guide downloads. In the final three years of his playing career he became a lightning rod for a heated public debate and widespread media commentary that divided the nation. It's written by acclaimed journalist Stan Grant, and will open the Melbourne International Film Festival before hitting theatres around the country. Director Ian Darling joins us to discuss the importance of telling the story and what we can all learn from it. Below we've listed down some of the most widely-used cinematography techniques that can help dictate how your audience should feel about your scene, as well as how they will interpret it. 0000062288 00000 n Darlings approach differs in that his intention in many respects is more ambitious, and certainly more relevant to Australian society, than the more familiar price of fame and portrait of obsession style narratives. 2022 Shark Island Productions and Cool Australia. 0000001984 00000 n In July 2019 the NFSA hosted a screening of director Ian Darling's documentary The Final Quarter, about the events that provoked heated public debate and the retirement of champion AFL player Adam Goodes. 0000007162 00000 n https://www.theguardian.com/film/2019/may/30/the-final-quarter-review-exhilarating-adam-goodes-documentary-pulses-with-urgency. | Michael Safi", "Watching Goodes film was like a punch to the face", "Acclaimed Adam Goodes Doco 'The Final Quarter' Will Hit TV Screens Next Month", "Adam Goodes: The Final Quarter film set to air on Channel 10 in July", "The Final Quarter review exhilarating Adam Goodes documentary pulses with urgency", "The exhilarating Adam Goodes documentary The Final Quarter is a must-see", "goodes-documentary-a-film-for-all-including-those-who-booed-him-20190530-p51ssm.html", "syd-film-fest-review-the-final-quarter-records-shameful-treatment-of-adam-goodes-258190", "AFL apologises unreservedly for failures over racism faced by Adam Goodes", "Club statement: 'The Final Quarter' documentary", https://en.wikipedia.org/w/index.php?title=The_Final_Quarter&oldid=1102231855, Documentary films about Australian rules football, All Wikipedia articles written in Australian English, Short description is different from Wikidata, Rotten Tomatoes template using name parameter, Creative Commons Attribution-ShareAlike License 3.0, 2019 Best Reporting of an Issue in Sport (Winner), 2019 Best Documentary Feature, Asian Academy Creative Awards: Grand Final winner (World) and Regional Winner (Australia and New Zealand), 2019 Best Editing in a Documentary - Sally Fryer (Winner), 2019 Best Editing in a Documentary Feature - Sally Fryer (Winner) Australian Screen Editors Ellie Awards, 2019 Best Sound in a Documentary (Nominee) Australian Screen Sound Guild, This page was last edited on 4 August 2022, at 01:34. Tracy Bentin is a Child and Adolescent Psychologist who has worked in the education sector since 1997. Next steps in 2020: Distribute a DVD and educational resources to every principal of every high school in Australia, as well as every junior and senior sporting club with access to the film, and continue community outreach. 1. 0000091843 00000 n [11] The booing of Goodes intensified in the months after the war dance. They specialise in creating documentaries that educate the public about important social issues. 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