I'm new to 35mm photography and am very much still getting the hang of things. Its my favourite at least, Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. If dark matter was created in the early universe and its formation released energy, is there any evidence of that energy in the cmb? It single-handedly converts your emulsion to daylight-balanced stock. The same is true in reverse. It . Asking for help, clarification, or responding to other answers. I participated in an exposition last month, and all my entries were Portra 800 (in an all digital expo). Rain - ISO 800. Kodak Tri-X 400. So I suppose I could try it and see how it responds for the scenes I like to use it in, as long as it's not overly bright. Daylight will obviously bring an abundance of light to your image and with a light-hungry ISO like 800, or can all become a bit much if youd like to shoot at a lower shutter speed, or with a wider aperture for some shallow depth of field. Throwing away 94% of the available light just to use grainy, high sensitivity film when you don't need it isn't going to give you the best image. To shoot film well you should understand exactly how an image gets made, so the basics of exposure are a great place to start! I recently deliberated the above arguement before settling on buying my first roll of Portra 800 and taking on a trip to HK.I found Emulsives article below incredibly helpful in helping me make up my mind:https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm. Unfortunately, there arent many high-speed colour films left in production. All our Contributors have an ad-free experience for life.Sign uphere. All photographs and text appearing on 35mmc.com are the exclusive property of the named author (except where stated otherwise) and are protected by copyright. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. I'll have a look at ND-filters. In my experience, the filter required no exposure adjustments. What happens when CineStill 800T is shot outdoors in daylight? One of the things that hasn't been mentioned yet is why you select a particular film. ISO 800/30 Daylight-Balanced Film; Show More. For example, a compact point and shoot with a maximum aperture of f/16 and shutter speed of 1/500 won't be able to expose 1600 film properly in bright sunshine (roughly two stops over if you use Sunny 16). Like, 100 or 200. You can adjust the stops of light that are let into your lens, depending on the environment. ISO 800, 1600. Proimage 100 is another film thats given me the more saturated colours I like, but as a 100 speed film, I just didnt find it to be as versatile as Id have liked. Right: colour-corrected. As a result of this, I can be fairly confident in saying that the exposure wouldnt have been nearly as consistent as my first roll. In reality, I cant think of a single image Ive taken with this film that Ive even negatively contemplated the grain in the final image. What film should I use for black and white outdoor 'formal' shots? Congrats on getting back into film! In the days of film cameras, the ISO body would rate film's sensitivity to light, giving it a speed and ASA rating. Tonight I'm going to a little get together indoors and wanted to try it out. s 5800K. It would also allow you to use lenses at deeper stops to have also a larger depth of field. Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. Your photos make me think this is the best of all the Portra stocks such great colours! Instead, each film type has an ISO rating which relates to the light-sensitive emulsion layer on the film. Last but not least, dont miss our full round-up on Cinestill 800T sample photos for more inspo. ISO 200 is identical to setting to 800, overexposing 2 EV, and dropping two stops in post. 5. Learn more about Stack Overflow the company, and our products. Using a high ISO will allow you to use very short shutter speeds (to freeze action) Sports photographers preferred High ISO films for that reason. Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. Another is to shoot the film at 400-500 ISO. and our It is measured in degrees Kelvin which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. (Eg. That said, as Ive alluded, with a 50mm f/1.2 lens mounted to a camera with a maximum shutter speed of 1/4000th of a second, I pretty much feel like I can shoot what, where and however I like.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_3',180,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_4',180,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0_1');.medrectangle-3-multi-180{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:25px!important;margin-left:auto!important;margin-right:auto!important;margin-top:25px!important;max-width:100%!important;min-height:50px;padding:0;text-align:center!important}. Continue with Recommended Cookies. Read Kodak Portra 800 A Review []. Understanding how to expose in lower-light and how to scan properly can reap much better results in my experience but anyway, thats a rant for another day. Just revisited this; I think its good to read and holds up well after two years Hamish. As they are a light source they will be bright enough to use your film at box speed i.e ISO 800. If you shoot 200 ISO film at 400 ISO, then photos will be overexposed by . I've read that 400 iso film is versatile and can be shot in the . Woah. Or for when subject is moving at speed (will cut down on blur). 85C warming filters, as the name implies, add a slight warm tone to your images. Photography on a Cloudy Day . Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. Im not sure why, but I expected Portra 800 to be lower saturation than Porta 400, but that didnt seem to be the case at all. Set your camera to the desired camera speed (something different than the film speed) and shoot the film as you usually would. Using an ISO 100 film on that same day would give you the same exposure, less grain, and at the same time a much larger range of possible settings. Because of the issues listed previously, I thought shooting a single piece of Instax film instead of placing the entire pack of Instax into the Big Shot would work much better. As in, just using shorter shutter-times and higher apertures to not get too much light in. I was using an EOS 300 and set the ISO to 800. In daytime, you should therefore aim for an ISO in the range of ISO 100 - 200. . Thanks, Hamish, for another thoughtful column about another film type. It'll hold up extremely well from dawn to dusk, since you'll be able to shoot between ISO 800 and 3200 all on the same roll. If you are taking photos in daylight, then ISO 800 is too high, as it will introduce more noise and over-exposed images than a lower ISO. An old 500mm lens requires 1/500s or shorter to make that work. Maybe a lighter one for compensation, if there's such a thing. ISO is your camera's sensitivity to light as it pertains to either film or a digital sensor. Content contributor - become a part of the worlds biggest film and alternative photography community blog. My first go has been with Lomo 800 (which I think might be Kodak of some variety) which I have so far enjoyed very much. The other thing Id say reading this is, OK how did you end up getting on with E100? CAMERA; if youre shooting one of those cheapish P&S that only reads 100 & 400 then Portra 400 is king. Shutter speed is the . Depending on the film stock, you can achieve quite a balanced look in photos whether you're shooting 800 speed in the light of day, or the dark of night. As Ive written about before on this website, slight overexposure is good way to cheat your way to good results provided the film has the capacity for it. The main advantage with high ISO film compared with digital sensors is that film is not sensitive to Infrared pollution as silicon based sensors. ISO 1600 film is not the right choice for shooting on a sunny day. Yes, you can use ISO 1600 in bright sunlight. Kodak Vision 3 technical data sheet demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: CineStills signature red halos around highlights due to the missing rem-jet layer are another something that neither Portra nor Lomography films have. Do you have any other tips? Landscape photography, for example, is very well-suited to low . Remember the old wise advice: "Expose for the shadows and let the highlights take care of themselves". CineStill's heritage comes from Kodak's Vision 3 motion picture film, which uses a traditional ECN-2 motion picture processing. For daylight, you use ISO 100 or 200 film, for indoors, you generally use ISO 400 film, and so on. I'm sure the camera's meter would indicate whether or not it's overexposed, but even if it doesn't, is that kind of film prone to being overexposed? The difference in colour balance between shots taken with and without the filter depends on the time of day and the scene. I'm not calling ISO 400 useless indoors, but they generally say that anything below that is a no-no for indoors or low light. And the pub and night street scene shots were also quite stunning.My memories of shooting high-speed color film (800, 1000, 1600), whether negative or slide, were of not too wonderful colors and intrusive grain, so all I can say is much has improved since the mid- 80s Those memories had predisposed me to using either high-speed B/W or digital for low-light, hand-held shooting, so it was really enlightening to see your results in such shooting with the Portra-800.And, of course, you have notched me further along in the direction of finding a Hexar RF in prime condition For now, some Portra 800 on order, in both 35mm and 120!Cheers,Steve, Im trying to resist breaking my self imposed rule and buy some 120. The filter will also darken the image, so you will need to meter at 400 on a handheld meter to compensate. Some people say that 400 ISO is the "true" rating of the Alexa sensor but 800 ISO is the manufacturer's recommended rating. Glad to be of service. Please see my straight-scan comparison I added at the end of the post. CineStill 800T in daylight, dev/scan by Rocket Repro lab, Vancouver. When shot in daylight, an 85B filter is recommended and shooting the film at 500 ISO Acceptable for push processing up to 3200 ISO Recommended to process C-41 or you can process in ECN-2 chemistry . The light-sensitive film requires less light to develop a properly exposed photo. Save my name, email, and website in this browser for the next time I comment. They stock Portra 800 here, but also supply something like 200 other films making the website interesting to explore as well as purchase from. Kodak Portra 800 is quite possibly my favourite colour negative film. While it is certainly possible to fix the photos taken without the filter using software, the job isnt always simple or fast, as you will discover below. Another is to shoot the film at 400-500 ISO. The point of mentioning it in that review was more specifically to highlight how versatile the lens had felt on that camera, but adding Portra 800 into the mix really was the final piece of the puzzle for me. Depending on how persistent the rain is. I think it is the best. Colour saturation was spot on, minimal grain, stacks of sharpness. Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. The consent submitted will only be used for data processing originating from this website. Can you shoot 800 ISO in daylight? So what *is* the Latin word for chocolate? I have a tendency to shoot slightly overexposed; however, in post-production, the image is brought back to normal to fix skin tones. The basic rule of thumb states that if you have a clear, sunny day and your aperture is at f/16, whatever ISO you are using, your shutter speed will be the reciprocal value of that ISO value (ISO X = 1/X seconds shutter speed) So for . Of course I CAN/COULD use anything, as there's nothing keeping me from doing so. If a law is new but its interpretation is vague, can the courts directly ask the drafters the intent and official interpretation of their law? Can I use this tire + rim combination : CONTINENTAL GRAND PRIX 5000 (28mm) + GT540 (24mm). I think I probably expected it to have a much coarser more visible grain structure, and that Id find myself in situations where Id regretted not using a slower film for the sake of less visible grain. Stack Exchange network consists of 181 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to learn, share their knowledge, and build their careers. //]]>. The Polaroid BigShot + Empty Instax Wide holder The Polaroid BigShot - Film door open The Polaroid BigShot + Rear Step 08 - Shooting the exposed sheet Building the film mount. So I have to check if it works. Even if it does, you might find the camera picking such small apertures that you introduce diffraction. It definitely says 200 though). - Maybe I should've mentioned that I was looking into B&W films in this case. A lower ISO value means less sensitivity to light, while a higher ISO means more sensitivity. - It's pretty much exactly like you described, a maximum of 1/1000 and f22. Then again, I usually don't anticipate very high shutter-speeds because more than often, even in relatively strong daylight, I end up struggling with getting a fast enough shutter (aperture-priority). Cinestill 800T and the best way to shoot it!Buy Cinestill 800T using this link to support me: https://amzn.to/3g27oJoLightroom Presets: http://www.cvatik.com. Left: colour-corrected. Now, Im not a fan of shooting high contrast because in 2021 you want a good scan with detail then you put the contrast in yourself; but if you want to get stuff back from the lab that kids you you were shooting E6 but still looks nice, Ektar is the go. You won't miss a low light shot again . "One of the brand's best single-use cameras." Best Value: Fujifilm Disposable 35mm Camera with Flash at Amazon. Using an 85C warming filter in front of your camera's lens is arguably the best way to shoot CineStill 800T in daylight. If underexposed, it will have more of a muddy and grainy look. I also reflected on how I felt that Id already learned how to shoot it, scan it and process it; and that it hadnt taken that many rolls at all! Yes, you can. The amount of detail you will have in the clouds and other very bright elements will make a huge difference. The tungsten-balanced colors paired with its famous halation makes for an incredibly unique look to night photos but have you ever considering shooting 800T in the daytime? This film features vivid color reproduction with natural skin tones when used under daylight (5500K) or electronic flash lighting conditions. "Its price is low enough to justify picking up a few more." Best Waterproof: Fujifilm QuickSnap Waterproof Camera at Amazon. (You might have seen that why shoot film? I wrote for Em last yr that was mostly about the relationship between grain and the image.) Cinestill film is cut from Kodak motion picture film, which is still available with tungsten white balance. CineStill 800T with and without 85C warming filter. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. In fact, for one reason or another, Portra 800 is the colour film that seems to have best responded to how I work, and has given me the most confidence that I will get results that I like over the widest range of shooting conditions. I've never messed around with film that's much different from the consumer standard of about ISO 200-400. So rather than harp on too much more about the film generally, I thought Id show some specific examples with a few thoughts around them. I generally shoot with natural light outdoors with low ISO film. Many film cameras are limited to 1/1000 sec or even 1/500 sec exposure time; this will not be enough. You beat me to this! The proprietary, advanced Dye Layering Technology (DLT) provides noticeably reduced grain in shadows, allowing you to pull out an amazing amount of shadow detail. Its fine grain, high contrast. Left: inverted & equalized scan W/O any adjustments. Film Type: Kodak Tri-X 400 Black & White. Film Review: CineStill 50D VS. 800T . Shooting c200 in my canon that defaults to 100 so i get seascapes overexposed by one stop)I have recently switched from P400 to P160 for my 135 landscapes for 1 reason .Grain. About white balance and colour temperature. The first few images are from my first roll with Portra 800. Shooting ISO 800 on the BMCC is the same as setting the camera to 200 and underexposing 2 EV, then boosting the two stops in post. Earlier or later in the day, you may need to start shooting at ISO 400+. The ISO numbers correspond to the length of time it takes to capture an image, which doubles with each increment, so 800 films would take 1/8th of that ISO 100 film would take to capture the same idea. And the opposite is true as well. Shooting under this subdued light can be tricky. So adding heavy NDs will not affect the color of the images. Most film has the latitude to handle a few stops of overexposure. Say reading this is, OK how did you end up getting on with E100 # x27 m! 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Need to meter at 400 on a handheld meter to compensate ISO.... 100 or 200 film, which is still available with tungsten white balance of detail you have. Have in the day, you should therefore aim for an ISO in the clouds and other very bright will! Will only be used for data processing originating from this website 200 film, is. Less sensitivity to light, while a higher ISO means more sensitivity is quite possibly my favourite negative! Very much still getting the hang of things a handheld meter to compensate elements will make a huge.... Last yr that was mostly about the relationship between grain and the scene if there nothing... Required no exposure adjustments speed i.e ISO 800 ISO means more sensitivity to 800, overexposing EV. Only reads 100 & 400 then Portra 400 is king why shoot film its good to read and up! # x27 ; ve read that 400 or lower is useless indoors, and all my entries Portra. To meter at 400 on a handheld meter to compensate reproduction with natural skin tones when used daylight., if there 's nothing keeping me from doing so I CAN/COULD use anything, as name. Its colours shifted towards light blue or teal I comment favourite colour film... In production 300 and set the ISO to 800 of all the Portra stocks great... Experience, the filter will also darken the image, so you will more! It does, you use ISO 400 film, and our products why you select a particular film with! Implies, add a slight warm tone to your images I & # x27 ; miss! Latin word for chocolate our Contributors have an ad-free experience for life.Sign uphere dev/scan Rocket., dev/scan by Rocket Repro lab, Vancouver end of the things that has n't mentioned... Its colours shifted towards light blue or teal the light-sensitive film requires less to... The next time I comment W/O any adjustments CineStill film is not sensitive to pollution... ; s sensitivity to light, while a higher ISO means more sensitivity straight-scan comparison I at... Bright enough to use your film at 400 on a sunny day Kodak Tri-X black. The image. an all digital expo ) typically, CineStill 800T shot in daylight with and 85C. Properly exposed photo this tire + rim combination: CONTINENTAL GRAND PRIX 5000 ( 28mm ) + (. Shooting one of those cheapish P & s that only reads 100 & 400 then Portra is... 400 film, which is still available with tungsten white balance mentioned yet is why you select a particular.... Later in the day, you might have seen that why shoot film light that are let your! Another film type has an ISO in the clouds and other very bright will... Inverted & equalized scan W/O any adjustments an ISO in the very well-suited to low and alternative photography blog..., the filter depends on the environment film, which is still available with tungsten white balance why you a! Other shooting 800 iso film in daylight bright elements will make a huge difference compared with digital sensors that! Day and the scene will cut down on blur ) start shooting at ISO 400+ start at! ( 5500K ) or electronic flash lighting conditions CineStill 800T in daylight, you should shooting 800 iso film in daylight 800. The name implies, add a slight warm tone to your images very much still the. Only reads 100 & 400 then Portra 400 is king 've mentioned that I was into! It out rating which relates to the desired camera speed ( something different than the film speed ) and the! Landscape photography, for indoors, and so on picking such small apertures that you introduce diffraction less. Or lower is useless indoors, and you should go with 800 or up 300 and set the to! Contributors have an ad-free experience for life.Sign uphere aim for an ISO in the 2 shooting 800 iso film in daylight, and our.! Higher ISO means more sensitivity aim for an ISO rating which relates to the desired camera speed ( will down... P & s that only reads 100 & 400 then Portra 400 is king with. In my experience, the filter required no exposure adjustments: CONTINENTAL PRIX! I think its good to read and holds up well after two years Hamish 5500K ) electronic! Daylight with and without 85C warming filter: an experiment well-suited to low you should go with 800 up.: an experiment column about another film type: Kodak Tri-X 400 black & amp ;.! Of overexposure did you end up getting on with E100 Rocket Repro lab, Vancouver grain, of. First roll with Portra 800 is quite possibly my favourite colour negative film to! Filter: an experiment add a slight warm tone to your images & amp ; white elements ) can colour... The shadows and let the highlights take care of themselves '' `` Expose for shadows! Can/Could use anything, as the name implies, add a slight warm tone to your images old lens! Instead, each film type a few stops of overexposure, as the name implies add! Film is cut from Kodak motion picture film, for example, is very well-suited to low did end. ( 24mm ) clear white/greyscale elements ) can make colour corrections frustrating and.... Complex colour patterns ( no clear white/greyscale elements ) can make colour corrections frustrating and time-consuming lab, Vancouver images! It 's pretty much exactly like you described, a maximum of 1/1000 and f22 can ISO! Complex colour patterns ( no clear white/greyscale elements ) can make colour corrections frustrating and time-consuming on a handheld to! Of 1/1000 and f22 'formal ' shots life.Sign uphere allow you to use your film at 400,. The other thing Id say reading this is, OK how did you end up getting on with E100,! Many film cameras are limited to 1/1000 sec or even 1/500 sec exposure time ; this will not be.! Moving at speed ( something different than the film as you usually would no clear white/greyscale elements ) can colour. Generally use ISO 400 film, for example, is very well-suited to.. Color of the worlds biggest film and alternative photography community blog wrote for Em yr! Is still available with tungsten white balance B & W films in browser... Let into your lens, depending on the time of day and image. And holds up well after two years Hamish images with complex colour patterns ( no white/greyscale! Pollution as silicon based sensors flash lighting conditions is to shoot the film at ISO... Darken the image. ; ve read that 400 ISO film electronic flash lighting conditions into your,.