ranking taylor swift albums tier list

Related: Ranking Taylor Swift's 10 Most Viewed Music Videos. And that's really all Swift, whose genius for conversational melodies and knack for giving every chorus a telling new twist every time around remain unmistakable trademarks.". All of Swift's signature elements are present on Swift's third studio album that was released in 2010 beautifully honest lyrics about heartbreak ("Dear John," "Last Kiss"), biting diss tracks ("Mean," "Better Than Revenge"), and a story that unfolds ("Mine"). In a statement when her tenth studio album was first revealed Swift explained this project is the stories of 13 sleepless nights scattered throughout my life, meaning its filled with the sorts of realisations that only hit you in the wee hours. evermore - 85. evermore was Swift's ninth studio album. To make it easy for you, we haven't included Taylor Swift singles, EPs, or compilations - everything you see here should only be studio albums. She gets the heavy hitters out of the way early, beginning with a last word in "I Forgot That You Existed," a wink and wave goodbye to social media swarms and energy sucks. Shes mined this type of melancholy tone before, but never for the full length of an album and certainly never with such a range of perspectives. Less gradual was Swifts shift from political agnostic to liberal advocate. It's the stuff of shared languages, not unlike our own pensive journal entries when we had nowhere else to turn but the page. But her mounting success undoubtedly stands on the shoulders of Speak Now's case studies of condensing complex inner dilemmas seeing your parents' failed marriage as a prophecy, wishing you'd never grown up into an album still adorned with hope. October 26, 2022. Other notable tracks include "Illicit Affairs," "Invisible String," and "Betty.". Drag and drop items from the bottom and put them on your desired tier. Paul Attard, Considering that Swifts previous material was almost always better when she tossed the ill-fitting country signifiers and focused on her uncanny gift for writing pop hooks, Red was a smart, if overdue, move for the singer. But as Pitchfork critic Anna Gaca pointed out, the album may be honest and genuine, but it feels uneven with how much it sways from garish pop singles like "ME!" "Cold As You" highlights Swift's talent in writing beautiful lyrics about heartbreak, a key Swift signature: "You put up walls and paint them all a shade of gray / And I stood there loving you, and wished them all away / And you come away with a great little story / Of a mess of a dreamer with the nerve to adore you.". Swift certainly has an . taylor swift albums Tier List Maker - TierLists.com taylor swift albums Press the labels to change the label text. "Marjorie," track 13 on "Evermore," is about Swift's grandmother. Sure, this album has its highs and lows and is filled with impressive tracks, but it ranks below others because although it feels like many things she does here (like haunting lyrics and pop beats) are things she's done before and a bit better in her previous releases. Stuffed with 80s influence, it also saw a step up in Swifts song writing, with her sharp, pithy lyrics feeling refined and sleek, hook-laden melodies dominating the entire record. Then there's the true-to-life nostalgic musings of romantic naivety at fifteen and unrequited love looming on the high school bleachers. Its a brilliantly honest moment, taken from Swifts most mature album yet. I'm using weekly Spotify Charts because I hate Billboard 2. But what's never changed is Taylor's enchanting ability to translate a memory whether charmed or trying into a moment that feels like yours. " Bad Blood . What follows is a collection of stone-cold glimpses into the ripple effect discontentment has on relationships: the sadness of a seasonal lover, affection and effort met with indifference, infidelity ending in death. Would it be soft and sincere, like "New Year's Day," poppy and upbeat like "Wildest Dreams," or go back to Swift's acoustic roots with songs like "Untouchable"? Justin Vernon of Bon Iver's defeated drawl) borrows similarly spacious minor keys with ten times the heartbreak. A 20-year-old Taylor, mid-transition from childhood to adulthood, draws from that dizzying dysphoria and uses it to refine her already awe-inspired songwriting. She also adds that with her recent re-recording of previous albums, Swift has "unlocked something brilliant and fresh in her songwriting," by dipping her toe back into previous eras. And, yes, her songwriting here is not quite fully actualized (as hindsight allows us to see now), but that doesn't diminish these songs' lasting splendor. But once the title track's idyllic and endearing comedown is over, and the atmospheric funeral march for past woes of "The Archer" makes way for new beginnings, Lover has very few high points after its fifth track. Taylor Swift started off as a country artist at a time when the genre was both less respectful and accommodating of the voices of women than at any other point in its storied history. 2023 Oscars predictions: See who will win at the 95th Academy Awards. How does Midnights compare to its worthy predecessors? The finished product is, of course, sterling. The euphoric Mastermind takes it one step further, where on it Swift admits: No one wanted to play with me as a little kid/So Ive been scheming like a criminal ever since/To make them love me and make it seem effortless/This is the first time Ive felt the need to confess. Her eighth LP disregards the crutch of compelling production and relies more so on solemn, thoughtful writing and is her first full-length departure from autobiography into fiction. But Evermore finds Swift digging further into her explorations of narrative voice and shifting points of view, taking bigger risks in trying to discover how the newfound breadth of her songwriting could possibly reconcile with the arc of her career. Painting the picture of an unravelling relationship, it gradually crescendos, climaxing in the gut-punch couplet of And you call me up again just to break me like a promise / So casually cruel in the name of being honest. How often I find myself in the mood to listen to . Where Swift has re-recorded an album, we have included only the new, re-recorded version of the record in the ranking. The brooding production glitches and glitters, embracing the indietronica thats permeated the last few The National records. Its a solid album which shows bucket-loads of promise; but its not a patch on what was to come later. But this is Taylor we're talking about here, and the fact of the matter is, she's at her best at her most singular, when there's zero doubt that anyone but her could have been the creative mind behind the record. Although there are standout individual songs on the album, "Taylor Swift" isn't particularly cohesive and now that her discography has been built up, it's hard to rank this high when listeners now know exactly what she's capable of. But folklore is more a shuffled series of vignettes than a throughlined story, planting the lyrics with easter eggs recurring motifs (a favorite cardigan), places (cobblestone paths), and events (pulling up in a car, professing love on the porch) to offer conflicting perspectives of a love long ago lost. Swifts surprise eighth album arrived with very little fanfare. "Musically and lyrically, Red resembled a heartbroken person. ", Released in 2019 and named after one of the album's singles, "Lover" introduced a new era for Swift one that seemingly had elements of many of her past works, like "1989" and "Speak Now.". Her narrators often seem to lack insight because Swift writes with the point of view that hers is the only story to be told, which makes songs like Dear John and Better Than Revenge come across as shallow and shortsighted. 1989. rep. Red. The tongue-in-cheek I Forgot That You Existed is a strutting reminder of Swifts skills as a lyricist. His contributions here are uniformly clean and efficient, but plenty of his signature production tics, even if theyre presented here in a fresh context, are beginning to feel overused. And of course, "Long Live," the last song of the album, is a masterpiece that features the story and emotions of Swift looking at her journey and successes up to that point in time. This time, "All Too Well" retires a full band backing for hazy synths, but it's anything but smoke and mirrors. "Fearless" might just be the best opening guitar riff of her applicable albums (Taylor Swift, Speak Now, and Evermore's are less so) fringed with a summer's day twang and immediately infecting the listener with a blissful dose of euphoria, like a spoonful of syrup taken between smiling lips. This winning combination warrants countless replays and, even now, listening to this song more than 10 years later reminds many of us so strongly of a crush we had when we were younger. It also boasts some of Swifts best ever lyricism for example its title track, where Swift vividly describes the wedding of an ex-lover: I sneak in and see your friends / And her snotty little family, all dressed in pastel / And she is yelling at a bridesmaid / Somewhere back inside a room / Wearing a gown shaped like a pastry. The imagery for the album was filled with snakes, and lyrics subtly (and at times, not so subtly) addressed their falling out. He's right "Folklore" further cements the fact that Swift is in a league all her own and cannot be placed in a stylistic box when it comes to her music. "Fearless" outranks "Taylor Swift" as it has more standout songs and has a cohesive sound that distinctly country-pop. But in the meantime, Midnights remains on repeat with high regard. She also notably upgrades the production, as a Professor of Commercial Music explains to EW, with subtle shifts towards a fuller-bodied musical accompaniment (no longer a one-dimensional country backing), re-layering instruments along with slight switch-ups in tempo. All necessary praise aside, one of the great joys of tracing Taylor Swift's arc is seeing her sound bleed across genres, from country and pop to (half-baked) hip-hop and folk and back. 1 as it best represents the evolution of Swift and her music. When it comes to things other than boys, though, Swift has always preferred to dip her toes in rather than get soaking wet; her transformation from country teen to pop queen was, after all, a decade in the making. It's hard to say. 1989 signifies a rebirth of sorts for Taylor, not just because it's named after her actual birth year, but more due to its status as her first seismic genre shift. Overall, the beauty of revisiting Red is that many of us, at points high and low, have related to its caustic, dizzying array of emotion, tracing the nonlinear trajectory of falling in love, breaking your heart, and putting it back together again. By album three Swift was a certified Big Deal. The albums standout tracks retain the narrative detail and clever metaphor-building that distinguished Swifts early songs, even amid the diversions wrought by the aggressive studio production on display throughout. When you pose the question of why Taylor Swift is among the most distinguished artists in popular music, the strength of her narrative songwriting is among the best answers. After a fiery Twitter storm courtesy of Kanye (though it was far from their first feud), Taylor finally sheds her decade-old, good girl persona for the villain alter-ego curated by the media, opting to settle the score through what she does best: traversing new sonic territory. And we'd be remiss not to highlight the otherwise overlooked single "Today was a Fairytale" that is just as fantastical and hooky as Fearless' trademark tracks, but was unjustly tacked onto the soundtrack for the unfortunate 2010 film Valentine's Day (wherein Taylor made her acting debut as a kissing partner for then-boyfriend Taylor Lautner). But none are more affecting than "champagne problems," a first-person post-mortem after rejecting a marriage proposal a classic "it's not you, it's me" scenario with simple piano chords accompanying the guilt of walking away and the peril of being mentally unwell ("'She would've made such a lovely bride' / 'What a shame she's fked in the head,' they said"). "So I just kept writing them.". 8 Taylor Swift (2006) Written during her freshman year of high school, Taylor Swift's debut eponymous album was young Swift trying to find her real voice. It's no exaggeration, then, to say almost every emotion has been articulated by Taylor Swift at some point, whether in broad-stroke breakup anthems or close-to-the-chest confessionals. The Taylor Swift's Albums Tier List below is created by community voting and is the cumulative average rankings from 131 submitted tier lists. And as critic Chris Willman wrote for The Hollywood Reporter in 2010, "Speak Now" saw Swift's music style mature while still keeping elements of her youth that her fans so adored in her previous two albums. Perhaps compensating for that previous album's wave of negative press, Taylor here returns to her tried-and-true toolbox, leaning into romantic whim and angelic daydreams: living room waltzes, paper promise rings, sneaking through gardens, skipping down streets. To me, "Midnights" feels like an encapsulation of Swift's musical journey. And, of course, the other notable solo feat is "Our Song," marrying a whimsical fiddle with a full-circle story of a good girl's heart won through small rebellions and romantic gestures: whispering on the phone, sneaking kisses through screen doors. On Red (Taylors Version), we got the spellbinding 10-minute version of the song, an epic rendition that cements the tunes place as a songwriting triumph. At the time of publishing, we're just over two weeks past our first listen, still internalizing the record's themes of loneliness and loathing, insecurity and insomnia. "This ain't for the best / My reputation's never been worse, so / You must like me for me," is a perfect thesis for the album as a whole on "Delicate," one of the LP's highpoints for its light-as-air ambiance, late night whispers coasting on a swirling current of synth waves. The MCUs tiniest heroes are kicking off its biggest phase yet, setting up the next several years of storytelling. 175. "Entirely self-penned, sans the collaborations of the previous albums, it's an enormous breakthrough in songwriting maturity, while hardly forsaking the childlike lack of pretense that made earlier efforts such guilt-free ear candy," wrote Willman. "Red" is a sophisticated album that demonstrates that Swift cannot be put into a box of one category or another: her sound is not all emotional songs about past lovers or radio-ready pop tracks it's so much more. Now, without further ado, here's EW's ranking of Taylor Swift's seminal albums. And the majority of Lover proves her path to better things, being an airy, whipped topping "love letter to love," both for the self and for a partner. Its an effortless fusion that, like much of 1989, displays Swifts willingness to venture outside her comfort zone without much of a safety net, and test out an array of sonic experiments that feel both retro and of the moment. Like folklore, much of evermore is made up of somber soliloquies that materialize like a fine mist over a field in the dead of winter. Like the "Taylor's Version" before it, 2021's rendition of Red lassos fans' near-decade old affection and nostalgia for the songs and herds them into an encore of adoration. "'Fearless' may have established her as a capable teenage singer-songwriter, but 'Red' is the album that solidified her confidence, sexuality, and identity as a bonafide force to be reckoned with," English wrote. 20: 20. and Bleachers fame), who employs an undercurrent of drums that boom like palms on metal doors and vocals that echo as if off skyscrapers. ", As Craig Jenkins for Vulture put it, "Although the album fixates on big enemies and bad reputations, the buried lede is a quiet romance budding in spite of them. It won a mantelpiece of awards including the Grammy for Album of the Year but perhaps even more impressive is the fact its already left a massive impact, a mere six years after it was released. The spectacular The Last Great American Dynasty describes the life of American artist Rebekah Harkness (whose Rhode Island house Swift bought in 2013) with vivid descriptive lyrics. It's the product of a prolific mind being forced to slow down, reflect, and create something completely new; A memoirist moved to experiment with a stream-of-consciousness novel. Working with a whos who of trendy producers and writers (Jack Antonoff, Max Martin, Ali Payami alongside indie darling Imogen Heap), she crafted a collection of glossy belters, that flit from fluffy dance-pop (Shake It Off) and sophisticated electronic-tinged bops (Blank Space, Style), to glorious indietronica (Out of the Woods, Clean). Its nostalgic sound has paved the way for other artists to make pure pop albums without feeling the need to embrace whatever genres popular at the time (just look at Dua Lipas Future Nostalgia or Lordes Melodrama). The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. On earworm lead-single Anti-Hero Swift sings: Its me/Hi/Im the problem, its me, the kind of thought weve all had when lying awake trying to drift off. The record's tales unfold into imagined personal histories, with what Swift calls the "Teenage Love Triangle" songs (suspected to be "Cardigan," "August," and "Betty") painting three vivid portraits of an interwoven affair at different points in time. First contact is a shock, a singe that lingers and radiates energy, next a scab, hardening as it heals, before calming into a scar you carry, listening to, forevermore. In honor of her instant-classic, record-breaking new LP. These were the de facto anthems for young listeners especially, clutching MP3 players to the chest like rosaries as we projected onto Taylor's portraits of then-mythical teen love. This Taylor Swift discography is ranked from best to worst, so the top Taylor Swift albums can be found at the top of the list. From the first track, you know this album isn't like what you've been hearing on the radio it opens with the synthetic beats and sounds of "Welcome to New York.". I'm not using the 5-tier-ranking-scale or whatever because if I did literally half of the list would be a 5/5 yeah music is pretty good rn. Your email address will not be published. Last Night by Morgan Wallen True, this album successfully acted as a reminder that Swift is a powerhouse musician who shouldnt be messed with. Taylor Swift's Track 5s, Ranked 9. "Speak Now" comes in at no. Written when she was a high school freshman, it saw Swift dissect her relationship with a senior who she knew would break up with her when he went off to college. Casting aside the usual lengthy album campaigns or meticulously planned drip-feeding of singles, T-Swiz uncharacteristically announced Folklore the day before it was released. Lover. In fact, most every song is stripped to a softer core than we've ever heard from Taylor before, with the exception of some past anomalies (re: Reputation's "New Years Day"). But just because Taylor took a sharp left turn doesn't mean she was unsuccessful. And theres what Swift has called The Teenage Love Triangle, a trio of songs (Betty, Cardigan and August) that explore a knotty romance from three peoples perspectives. This record at last acknowledges that, yes, a pop star idolized by young girls can also be a sexual being, singing of dirty daydreams and undressing with your eyes (the chorus on "Dress" even blatantly mimics the cadence of a mounting orgasm). And though she does vary her phrasing in ways that attempt to mask her limited voice, Swift is still noticeably off-pitch at least once on every song on the album. The album's comedown is a moment of quiet reflection carried by a piano's lone lullaby, when the festivities are over, the partygoers are gone, and all that's left is a lover for the long haul ("I want your midnights / But I'll be cleaning up bottles with you on New Year's Day"). Speak Now. The album has been described as escapist, cottagecore-inspired, and was written and recorded during the COVID-19 pandemic. In a review for Rolling Stone, Claire Shaffer called the album "a refreshing change of pace.". Songs that sum up this album include "State Of Grace," a different sound with gorgeous lyrics that are undoubtedly Swiftian; "I Knew You Were Trouble," a reflective song full of dramatic production effects and a driving beat; "All Too Well," a slow ballad reminiscing a past love with emotional lyrics and execution; and "22," an effortless pop hit. But the crowned jewel of the record is obviously the long-waited, 10-minute version of "All Too Well," an expansion on the already sprawling song widely considered by critics and fans alike to be her definitive opus (which, for an artist of Taylor Swift's standing, is absolutely saying something). Rather, their relative simplicity only adds to Fearless' charm, bridging the old with the new a woman's voice singing a girl's anthems to make a once good album now great. What's likely the most famous track on this album, "Teardrops on My Guitar" is a textbook example of a popular Swift trope: a relatable song about a boy punctuated with clever lyrics. With a record thats a love letter to love itself. But reputation is much more than an extended diss track; It's also a not-so-private ceremony for a new, hush-hush love affair (that years later blossoms into a now-rumored engagement to partner Joe Alwyn). So, though this list must include the favorites, it's also a love letter to her illustrious career and its intersections into listeners' lives. Report RESET RANKING RESET TEMPLATE SAVE/DOWNLOAD TIER LIST Template by lucy There are whispers of reputation as well on opener "Lavender Haze," "Midnight Rain," and b-side "Vigilante Sh-t," which are menacing in their side-eyed electro hip hop shades but with a more relaxed delivery, swapping her sixth album's shock value for more earnest meditations on conflict born out of your own misgivings. 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